TERENCE MALULEKE
TERENCE MALULEKE (b. 1995, South Africa) lives and works in Johannesburg. Terence Maluleke is a Visual Developer and Fine Artist, who has worked with Walt Disney Animation Studios, Sony Pictures Animation, Netflix, and Triggerfish just to name a few. Terence is one of the founders of Kasi Sketchbook – a project that aims to create drawing clubs in the townships that will encourage young artists to daily “Draw Your World” in their Kasi Sketchbooks. In 2018 he co-founded a Media Network “Tribal Universe”. Within the Fine Art terrain, Maluleke oeuvre centres on the figurative as his primary inspiration through the celebration of his community. In more recent work he has focused on exploring still life by depicting the lilly. Maluleke’s distinct stylistic approach subtly lingers between illustration and the painterly. His colour vibrancy, as well as his use of line and geometric shapes create a visual bridge between his work as a Visual Development Artist.
How would you describe yourself to anyone who has never seen or heard of you?
I am primarily an artist with a background in animation; I work as an animation director. Additionally, I am a fine artist. I consider myself a multifaceted artist, working towards integrating various mediums. Beyond that, I am simply an individual doing my best in this world.
How has your journey been to be able to direct for Netflix and Disney ? Can you share some pivotal moments in your career that significantly shaped your path as an artist?
You know, it all begins with a spark of imagination. I never expected to collaborate with the likes of Disney, but it all starts with that initial curiosity. Growing up, I’ve been captivated by animation, especially by films like Toy Story, where toys come to life. This fantastical world has always drawn me in, shaping my passion for drawing and sketching. Along the way, there have been pivotal moments that have defined my journey. One such moment was meeting my childhood friend, who inspired me to take drawing more seriously. We challenged each other in school, refining our skills and unknowingly preparing for a future in animation.
Another crucial influence was my grandfather, an artist who taught me about mixing colours and painting techniques simply by watching him work. Studying at the National School of the Arts further solidified my foundation in art, exposing me to various mediums and sparking my excitement for animation. Attending animation school in Johannesburg was another turning point, where my friend and I made the decision to drop out and pursue real-world experience. This bold move led us to dive into creating shows from scratch, learning through trial and error, and eventually getting closer to collaborating with Disney. These moments, though challenging, have been the most pivotal in shaping my path towards realising my dreams in animation.
“Ntsako”
Your artwork often blends traditional African motifs with contemporary digital techniques. Can you walk us through your creative process and how you balance these elements to create your unique visual language?
My creative process typically begins with extensive research, whether it’s through observations from online platforms like Instagram, or drawing inspiration from my cultural background as a Tsonga person in South Africa. There’s a rich visual history to draw from, and I find immense fascination in exploring it. I believe that by studying the work of past artists and their exploration of new shapes and ideas, there’s much to learn and be inspired by.
From there, I transition into the conceptualization phase, often through sketching in numerous sketchbooks. These sketchbooks serve as a playground for my ideas, allowing me the freedom to experiment without fear of judgement. It’s a space where I can explore different shapes, colours, and concepts, refining them until I find what truly resonates with me.
Once I’ve honed in on the shapes, colours, and concepts that speak to me most, I then commit to larger or final pieces. Throughout this journey, I continually look inward and outward, paying close attention to my interests and infusing them with contemporary influences from the world around me. This process not only allows me to express my unique perspective but also enables me to evolve and grow as an artist.
“As we evolve, it’s essential to embrace our own ideas and contribute to the ongoing narrative for future generations to build upon.”
“The meeting of empathetic minds”
Many of your pieces, such as “My Buried Jesus II” and “Swallowed,” have evocative and thought-provoking titles. How do your personal experiences and cultural heritage influence the themes and narratives in your work?
Growing up in a religious household, church felt more like an obligation than a personal choice. However, as I matured, I began to explore my spirituality through art, delving into themes of spirituality and deeper existential questions. This journey has led me to seek a more personal connection with my faith, one that goes beyond traditional religious practices.
Through my artwork, particularly my series on stillness and being, I’ve found a way to engage with spirituality on a profound level. Working alone in my studio becomes a spiritual experience in itself, allowing me to channel my thoughts and emotions into my creations. This approach has enveloped me, allowing me to deeply explore the concept of stillness and its significance. Alongside my spiritual journey, I’m also navigating cultural influences, discerning what traditions resonate with me and shaping my own narrative for the contemporary world. As we evolve, it’s essential to embrace our own ideas and contribute to the ongoing narrative for future generations to build upon.
“Carry Yours”
Are there new mediums or themes you are excited to explore in your future works? What goals do you have for the next phase of your artistic journey?
I’m thrilled about the concept of lifting others as I rise in my journey. Through initiatives like Kasi Sketchbook, we visit schools and neighbourhoods, providing kids with sketchbooks and mentorship opportunities. By filling these sketchbooks with their observations and drawings, we aim to teach them the fundamentals of art while encouraging their creativity. It’s crucial for them to have a solid foundation and access to mentors as they pursue their artistic careers.
Personally, I’m still exploring the worlds of fine art and animation. While currently focusing on fine art, I aim to merge the two fields in the future, creating innovative ideas that bridge the gap between them. Teaching is also something I aspire to do eventually, as I believe there’s so much to learn from simply observing and analysing artworks. Each piece of art tells a story, reflecting the artist’s techniques, concepts, and creativity, making it a valuable lesson in itself.
“I am simply an individual doing my best in this world.”
What is a quotable you live by?
“We all know that Art is not true. Art is a lie that makes us realise the truth, at least the truth that is given us to understand. The artist must know the manner by which to convince others of the truthfulness of his lies.” – Picasso
While some may consider this idea generic. I find it deeply resonant. To me, it’s about the power of imagination and creativity in uncovering truths that may not yet exist in reality. When we embrace our fantastical visions, we open ourselves to new perspectives and discoveries. Our minds are free to wander, and in doing so, we may stumble upon profound insights that can shape our lives and the world around us. This quote encapsulates the transformative potential of art, and I find it incredibly powerful.
Crew
Creative Director & Editor-in-Chief: Renaé Mangena
Art Director & Vice-Editor: Anastatia Nkhuna
Producer: Hlengiwe Mkwayi
Graphic Design: Shaylah Pardey
Photography: Simba Takaedza
Photography Editor & Retoucher: Banele J
DOP: Wesley Takaedza
Digi: Nkateko Mondhlana
Stills Lighting Tech: Gomolemo Moloto
AC: Sibusiso Kgokoane
MUA: Shakirah Sithole
Stylist: Kutlwano Hlomuka
Production Coordinator: Rorisang Sebiloane
Talent manager: Liziwe Kwanini
Logistics: Tinyiko Baloyi
