Interview by Anastatia Nkhuna I got to know Anele Oluchi Sahar Nyanda, a film photographer whose practice is rooted in analog, intuition, and memory. Her journey flows from studying film at AFDA, where she majored in colour grading and editing, to weaving those skills into a language of light, tex
The thing about the perfect outfit is that all its elements need to come together effortlessly. This doesn’t necessarily mean coordination, but rather how everything blends into a complete expression of the fit. And sometimes, if the shoes don’t belong to the outfit you’ll know, and so will we
I was scrolling through IG when I stopped in my tracks. These beautiful images drew me in. They felt warm, grounded, and carried a sense of ease that truly reflected some of my favourite creatives in the space. Naturally, my attention was hooked. At that moment, I realised that BIRKENSTOCK’s Come
The road to Makhathini’s Tiny Desk was a long one, with nearly seven years of invitations and near misses. But it was a quiet moment of resonance that finally compelled him forward. When his bassist, Zwelakhe-Duma sent him Abdullah Ibrahim’s Tiny Desk (Home) Concert, Makhathini heard not just mu
With music layered with experimental alternative textures, Wav Gardn’s sound transforms into a sonic hug.
Katlego C.L. Twala (b. 2000, Gaborone, Botswana) a painter whose brush moves between centuries and spirits. Trained at the Swedish Academy of Realist Art and the Barcelona Academy of Art, her work marries classical technique with sharp, modern soul. Through her portraiture, she holds space for softn
Written by Anastatia Nkhuna It’s Art fair season again in Johannesburg and FNB Art Joburg just dropped the news: the 2025 FNB Art Prize goes to none other than Thato Toeba and I am still snapping my fingers in approval. As the recipient of the 15th FNB Art Prize, Toeba joins previous winners Gresh
I’ve always found it interesting how we often like to imagine creative work as something entirely separate from the technical, as if all the moving parts that go into composing a frame can’t be traced back to precise processes rooted in engineering and mechanics. That’s why, when I learned tha